Jane's own struggle makes clear the integral relationship between wealth and survival, though her experience is actually less precarious than other characters in the novel.
Family was extremely important to a woman in the Victorian period. It provided emotional and financial support to her as a child and an unmarried woman.
Later, it defined her as a wife and mother. As an orphan, however, Jane is cast into a Victorian domestic wilderness, without a mother to prepare her for her proper place in society and without a father to care for her until her husband can replace him.
The absence of family creates a mixed effect in Jane. Her painful solitude spurs her to spend much of her young life in search of a family. Many of the characters serve as symbolic mothers for Jane. The harsh mothering of her aunt Mrs. Reed causes Jane to suffer, forcing her to withdraw into a lonely shell for protection.
Beginning with the false, hurtful family of Mrs. Reed and her spoiled children, Jane encounters increasingly more rewarding versions of family coinciding with her personal maturation. At Thornfield, Jane becomes a pseudo-mother to the sweet Adele and Mrs.
John Rivers, her cousins. She lovingly prepares the house for their Christmas reunion and shares her inheritance with them. Therefore, the strange coincidence of Jane ending up on the doorstep of Moor House should not be seen as a rupture in realism, but a thematic device.
Finally, Jane returns to a more enlightened Rochester to start a true family. She rejects the qualitative judgments that society makes on the basis of class and recognizes her cousins for the shallow, self-indulgent children that they are.
She also balks at Mr. Jane seems most humiliated and angered when her integrity is in question. Although she ranks far below Rochester in social rank and wealth, a profound impediment to a marriage in the Victorian era, she feels equal to him in soul, understanding his true nature.
Jane finds his courting of the frivolous Blanche Ingram for her political and social connections disturbing because she knows that she herself is more his intellectual and spiritual equal. It is significant that the primary symbol of hypocritical societal propriety, Thornfield Hall, in which Rochester lives a sham life of decorum, must be destroyed by fire before he and Jane can live together happily and truthfully.
From the very beginning of the novel, the reader is struck by the sense of confidence and control in the narrative voice. At times, one is brought close to the narrator in an intimate relationship in which Jane makes the reader a confidant, revealing inner feelings and weaknesses.
Yet she never allows herself complete vulnerability as a narrator. Often Jane addresses readers directly, never letting them forget that she is aware of their presence. Readers are not eavesdroppers as in a third-person narrative, but invited guests of Jane, who is in complete control of the narrative.
She creates suspense by withholding information from readers, such as the identity of Rochester when he is disguised as an old gypsy, playing with them to heighten their interest.jane eyre norton critical editions Download Book Jane Eyre Norton Critical Editions in PDF format.
You can Read Online Jane Eyre Norton Critical Editions here in PDF, EPUB, Mobi or Docx formats. In Charlotte Bronte’s Jane Eyre the main character, Jane Eyre, explores the depth at which women may act in society and finds her own boundaries in Victorian England.
As well, along with the notions of feminism often follow the subjects of class distinctions and boundaries. Charlotte Bronte, however; created Jane Eyre as an unorthodox manifest against the society of her time. ‘Jane Eyre’ is a critique of the importance of the strict social class hierarchy in Victorian England.
Jane Eyre - Critical Evaluation; Jane Eyre - Critical Evaluation. Jane Eyre and Class System Words | 4 Pages. Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an.
Jane Eyre (the novel, not the character) looks down its nose in disgust at the existing Victorian class hierarchy. The characters who are most interested in the trappings of wealth and status are hypocritical or morally misguided, but characters who take poverty on themselves to demonstrate their.
The Reconciliation of Fire, Ice, and Eyre In the novel Jane Eyre, Charlotte Bronte explores a patriarchal Victorian society, where Nature clashes with monotheist Christianity, and passion clashes with ph-vs.com Jane develops, conflicted with these polarized binaries, Bronte examines the dichotomy between the fire of passion and emotion and the ice of spirituality and rationality..