General synthesis article trying to consider, as an example, the causes of the notoriety of Bach, particularly in comparison whit his contemporary Vivaldi. Is the notoriety of the greats composers due to the real musical interest of their masterpieces for the people or to the result of a complex alchemy in which ideology mainly intervenes? The name of Bach seems particularly to illustrate the influence of extra-musicals factors in the recognition of genius, real or supposed.
Overview A fugue has three main sections, the Exposition, the Middle Section sometimes referred to as the modulating section and the Final Section.
The sections in a fugue refer to contrasts in key rather than theme. The exposition begins the fugue and a single voice plays the subject establishing the tonic key. Another voice enters with the answer which is the subject transposed up a perfect 5th or down a perfect 4th into the dominant key.
As the second voice plays the answer the first voice can play either a free part against it or a counter-subject. The middle section consists of entries of subject and answer in keys other than the tonic separated by episodes. An episode is a modulating link between the entries of the subject and answer to make a change from continual reiteration of the subject.
They are usually based on a figure from the subject or counter-subject. The final section begins where the subject or answer returns in the tonic key. The section will contain at least one entry of the subject in the tonic and will usually end with a coda which can vary from a few notes to a few bars.
Here is an example of a fugue structure: Stretto Diminution of the subject Inverse movement Stretto occurs when entries of subject and answer overlap each other, the second beginning before the first is finished. A close stretto is one in which the overlapping is considerable.
Augmentation of the subject means statement of it in notes of greater value, usually double. Diminution of the subject means statement of it in notes of smaller value, usually half. Inverse movement means statement of the subject upside-down, upward intervals become downwards ones and vice versa.
These devices can be used in combination, e. Tweet Want more like this? We're working on new courses that will teach you a College level education for gym membership prices.Before I continue, I highly recommend buying a used copy of Counterpoint in the Style of J.
S. Bach and read the first chapter, the chapter on inventions, and the chapter on fugue subjects, answers, and C.M.s. It's almost impossible to write an interesting, beautiful fugue, as proven by the fact that very few composers attempted it very often, except BACH, who wrote the most amazingly brilliant and beautiful fugues, and he wrote two books of them, with a prelude for each one: the Well Tempered Clavier Books I .
IS JOHANN SEBASTIAN BACH A GREAT COMPOSER? General synthesis article trying to consider, as an example, the causes of the notoriety of Bach, particularly in comparison whit his contemporary Vivaldi.
Unaccompanied Sonatas and Partitas of Johann Sebastian Bach by Gregory Fulkerson: We visit the concert hall for many reasons, but chief among them the hope that our lives may be made richer and perhaps even justified by aural communion with transcendent human imaginations.
How To Write A Fugue. A fugue is a piece of music of contrapuntal texture which is predominantly based on one theme called the subject. It’s important to note that a fugue isn’t really a form, it is a way of presenting a contrapuntal texture.
Overview. Johann Sebastian Bach, Karl Münchinger, Stuttgarter Kammerorchester - Bach: The Art of Fugue / Musical Offering - ph-vs.com Music.